Collective Minds presents: Mount Kimbie (Live) with special
guest Kim Ann Foxman (DJ Set)
\n15 March 2018 | 8:00 PM Doors Open
\nZouk 3C River Valley Road The Cannery\, Singapore 179022
Tick ets:
\n\nEarly Bird $78 (Limited Amount)
\nAdvance $88
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vance 4-Pax Package $300
We are in for a treat as Mount Kimbie wi ll be performing live for us in Singapore as part of their World Tour. We a re also thrilled to announce that special guest Kim Ann Foxman will perform a DJ set after the electronic duo'\;s much anticipated set.
\n\n- --------- Mount Kimbie ----------
\n\nLove What Survives is the third studio album from Mount Kimbie. It is a melodic yet robust electronic reco rd for driving with the windows down and a distillation of their career to date\, mixing multiple singing voices and musical personalities\, flirting with freeform experimentation\, pop tropes and an expansive sonic palette.< /p>\n\n
As the title suggests the record is the product of three years of intense creative development\, continually honed by the duo writing and re writing their ideas to form something wholly idiosyncratic and personal. It brings together the voices of their close friends and collaborators - who together represent a corner of the UK&rsquo\;s young artistic talent - Jame s Blake\, Micachu and King Krule\, within the immersive\, unique atmosphere of a Mount Kimbie album. It&rsquo\;s the most confident statement of inten t from the boundary-pushing duo yet\, and an embodiment of their career-lon g musical progression.
\n\nMaking this album\, says Kai Campos &ndash \; who along with Dominic Maker is Mount Kimbie - &ldquo\;was about taking away everything that had been successful for us before.&rdquo\; Love What S urvives was made mostly on just two vintage synths\, a Korg MS-20\, and a Korg Delta. Both instruments have what Kai describes a &ldquo\;punk and jan ky\, Robert Wyatt quality&rdquo\;. With an industrial character and a direc t playing style\, these synths pushed Mount Kimbie toward their bold new so und.
\n\nThe record&rsquo\;s more expansive aura is also indebted to the fact it was made between London and Los Angeles. After Maker moved to t he West Coast in 2016 the duo would travel back and forth to work together\ , cultivating ideas in intensive sessions. For Maker\, putting down roots i n a foreign city with its cultural differences and geographical vastness wa s alienating at first but it gave fresh perspective and inspiration\, disru pting some creative stagnation he was starting to feel from living in the U K. &ldquo\;I found it really helpful&rdquo\;\, Maker says now.
\n\nAs a result of this free-form composition process and their extensive live pe rformances over the last few years\, Love What Survives is a looser\, more ambitious record than Mount Kimbie have ever made before. Elastic melodies and rough-edged instrumentation give it a warm energy: the pre-Midi groove of &lsquo\;Delta&rsquo\; locking with simple\, direct chord progressions\; &lsquo\;Poison&rsquo\; showing a delicate\, introspective side\; &lsquo\;A udition&rsquo\; suggesting a Krautrock influence\, with &ldquo\;drum machin es that sound like they were played by humans and acoustic instruments that sound like they were played by machines.&rdquo\;
\n\nAs well as expe rimenting with new instrumentation the band embraced collaboration to take their sound to new levels. &lsquo\;Marilyn&rsquo\;\, a soft-focus\, bubblin g duet with Micachu\, builds to a sun-flecked brassy climax\, whereas the m otorik rhythm section of &lsquo\;Blue Train Lines&rsquo\; gives King Krule a fast lane on which to deliver his jagged vocal bursts. &lsquo\;You Look C ertain (I&rsquo\;m Not So Sure)&rsquo\;\, is sung by the band&rsquo\;s live member Andrea Balency and shows Campos experimenting with scrappy guitar r iffs. Meanwhile\, Maker describes &lsquo\;T.A.M.E.D&rsquo\;\, sung by himse lf\, as &ldquo\;our version of a pop song &mdash\; a really deranged pop so ng&rdquo\;.
\n\nThe album reveals a freer\, warmer and more confident Mount Kimbie. &ldquo\;Having more people involved has really helped let go of a bit of control\,&rdquo\; Dom Maker explains. &ldquo\;The memory of th is record is very different from the last one. This one feels very bright\, and the last one feels really dark. I guess that comes from having it be s omething that&rsquo\;s shared with friends.&rdquo\;
\n\nAnother sourc e of this influence of new personalities in defining the direction of the r ecord was the series of NTS Radio shows the pair curated in 2015 and 2017. The eclectic shows featured album contributors James Blake\, Micachu and Ki ng Krule\, plus guests Actress\, William Basinski\, Savages\, Connan Mockas in\, Warpaint and Julia Holter\, giving the band a fresh ear for what they wanted to create themselves. As Maker puts it: &ldquo\;The variety of the s hows definitely pushed us to explore new areas\, new pieces of kit\, new so unds.&rdquo\;
\n\nLooking back from these &ldquo\;new areas&rdquo\; a t this point in their career it&rsquo\;s worth considering the ground the d uo have already navigated. Since releasing their debut Crooks &\; Lovers in 2010\, a kaleidoscopic classic that redefined the possibilities of UK e lectronic music\, they have constantly evolved. The follow-up\, 2013&rsquo\ ;s critically acclaimed Cold Spring Fault Less Youth\, was a bold move into songwriting and live instrumentation. They recruited King Krule to vocal o n two tracks\, and sang on record themselves for the first time on the tape -hiss house anthem &lsquo\;Made To Stray&rsquo\;\, creating a new world of introspection and melancholy\, fleeting between electronic programming\, sy nthesized sound and acoustic production.
\n\nTheir continual forward motion has positioned them as one of the UK&rsquo\;s most progressive and r espected artists. Their central role in the birthing of the so-called &ldqu o\;post-dubstep&rdquo\; sound initially inspired a generation of electronic producers around the turn of the decade\, and has more recently crossed ov er to some of the biggest US artists. Their Crooks &\; Lovers standout & lsquo\;Adriatic&rsquo\; found new life in Chance the Rapper and Justin Bieb er&rsquo\;s 2016 song &lsquo\;Juke Jam&rsquo\;\, while Dom worked with Jame s Blake on production for multiple tracks on JAY-Z&rsquo\;s forthcoming alb um\, as well as further productions on currently unannounced projects.
\ n\nDespite the weight of this influence\, the band are still far from ca tegorizable. Love What Survives only adds to their reputation\, proving the band are as vital as ever and offering no clues as to where their thrillin g evolution might visit next.
\n\n---------- Kim Ann Foxman --------- -
\n\nKim Ann Foxman\, 2016 &ldquo\;Play and make music that makes yo u happy\, and people will naturally feel that honesty&rdquo\;.
\n\n&l dquo\;Kim Ann Foxman has had quite the career\,&rdquo\; were FACT&rsquo\;&r squo\;s words when she was induced into their critically acclaimed podcast series in 2016. The Hawaii born female shot to fame as a vocalist and has s ince continued her rise to become one of New York&rsquo\;s finest DJs and a prolific producer in her own right.
\n\nUnfazed by trends and deeply rooted in the music\, Foxman builds on the nostalgic records of her youth to create her own dynamic sound. A rare specimen who is equally likely to b e found playing to intimate audiences as to huge festival crowds\, her reco rd selection is distinctive from that of her peers. She holds a highly rega rded residency at Good Room in her home of Brooklyn\, New York and is a reg ular at Panorama Bar in Berlin\, places where she is able to explore differ ent sounds whilst still captivating the dancefloor. As a producer\, Kim Ann Foxman delivers catchy hooks and haunting melodies\, and is also celebrate d for beguiling and original vocals. Her Firehouse Recordings imprint (insp ired by the old firehouse in Brooklyn that is her studio and a creative hub for the like-minded) is responsible for a steady stream of mind-bending re leases.
\n\nAn effortless trendsetter\, Foxman is well-known for her inimitable style and ability to move seamlessly between the music and fashi on worlds. She has built solid relationships with brands like Gucci\, Dior Homme\, Prada\, and Adidas. Through a deep dedication to music and an infec tious positive outlook\, Kim Ann Foxman output is a reflection of her genui ne approach\, which is felt by all wherever she plays.
\n LOCATION:3C River Valley Road\, The Cannery\, Singapore\, SG\, 179022 SUMMARY:Mount Kimbie - Live & Kim Ann Foxman (DJ Set) URL:https://www.bandwagon.asia/gigs/mount-kimbie-live-kim-ann-foxman-dj-set END:VEVENT END:VCALENDAR