KUN is a singer, producer, and cultural figure whose influence spans music, fashion, and pop culture across Asia and beyond. Known for his performance-driven approach and sharp visual identity, the China-born artist has steadily built an international audience through releases that blend classic pop sensibilities with modern production, alongside high-profile live shows and global collaborations.
Among those releases is ‘What a Day’, a retro-soul pop track that was recorded live to tape and inspired by the energy of performing with a full band. The song captures KUN’s appreciation for spontaneity and human connection, themes that also shape its one-take, Old Hollywood–inspired music video filmed in London. Together, the track and visual spotlight his preference for authenticity over polish, both on record and on screen.
In this interview, KUN reflects on connecting with audiences across different cities, adapting his energy for live performances, and drawing from classic influences that continue to inform his music today. He also looks ahead to what lies next, as touring and new releases remain firmly on the horizon.
It hasn’t even been a year since you made your international debut with ‘Deadman’. What surprised you most about how people responded to your music outside your home market?
I always feel like music is universal, so when I make music, I just focus on what I’m doing. I don’t really think about the outcome, actually. I feel like you just have to be honest with yourself, and people can feel it.
What drew you to filming the ‘What a Day’ music video in one take?
Once I performed the track on stage, I got the idea that I wanted to do everything in one take and record it to tape. After I recorded the song in one take, I felt like I should do the same idea for the music video. I told my team, what if we do everything with a live performance vibe?
Was there any scene that was particularly difficult to nail, or any behind-the-scenes moments you remember?
It was a really hard time for me, actually. I remember flying from China to Iceland, to Bangkok, then to London. It was almost hitting my body’s limit, so it was a very big challenge for me.
Does your performance style or energy shift depending on the city or country you’re in? What has been the most unforgettable onstage moment for you so far?
Every time I perform in different cities and countries, I feel like there’s always different energy, different crowds, and different vibes — which is what I like. I feel it, and I love it. I get excited because of it. Back in 2025, I would say the first time I performed ‘Deadman’, I was really sick and worried about my voice. I even took an IV drip before I got on stage.
You’ve mentioned artists like Frank Sinatra, Elvis, and Prince as key influences. How do those influences show up in your own music?
There’s a part of me that’s very old school, very old soul. I like to watch old movies and listen to classic tracks. I feel like there’s a contrast in bringing old sounds and old school into this modern world right now.
When you think about 2026, what excites you the most right now?
2026 is the year, because I’m dropping the album on 6 February, and I’m going to start touring with my new album. Hopefully, I’ll come to Singapore to perform, and I hope to see you guys there.
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