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Sony Music & Singapore’s GIC launch US$2 Billion music catalogue investment partnership

Sony Music & Singapore’s GIC launch US$2 Billion music catalogue investment partnership

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Sony Music Group has entered a new investment partnership with Singapore’s sovereign wealth fund, GIC, to acquire and manage music catalogues globally, marking one of the largest institutional investments into music rights to date.

The partnership is structured as a joint venture, with GIC committing long-term capital and Sony Music Group contributing its industry expertise, global infrastructure, and catalogue management capabilities. Together, the two parties will focus on identifying and acquiring high-quality recorded music and publishing rights across a wide range of genres and eras.

According to multiple industry reports, the joint venture is anchored by an initial investment of approximately US $2 billion–$3 billion, with the potential to scale further over time as additional opportunities arise. Neither Sony Music Group nor GIC has disclosed specific acquisition targets or artists at this stage.

Sony Music Group has positioned the collaboration as a strategic move that strengthens its ability to steward and grow music catalogues in an increasingly competitive rights market, while creating long-term value for artists, songwriters, and rights holders.

For GIC, the partnership reflects confidence in music as a resilient asset class, supported by sustained growth in global streaming, consumption, and demand for established catalogues with predictable, long-term returns.

The deal also underscores a broader shift in the music industry, where music rights are attracting significant institutional capital. In recent years, major labels and publishers have increasingly partnered with global investment firms, reinforcing the perception of music catalogues as stable, scalable, and durable investments.

As streaming continues to shape how music is consumed and monetised worldwide, the Sony Music Group and GIC partnership highlights how financial capital and creative expertise are becoming increasingly intertwined in the ownership and future stewardship of recorded music.